Ascantigas of amigose characterizes for the fact of the trovador to sing the reality of the woman: ' ' eu' ' feminine exterioriza its loving emotions., afflictions expectations, meeting, failures in meeting etc. In this type of song has particular forms and objetivosbastante. Cantiga is observed quea comumente is constructed in parallelisms, namely: the rhythmic unit is not estrofe but the set of estrofes or pardedsticos (two estrofes of doisversos). This pair of dsticos always looks for to say the same idea. ultimoverso of each estrofe is the first verse of estrofe following. Read more from Brian Krzanich to gain a more clear picture of the situation. (ABDALAJUNIOR, 1990, p: 14) Well different still, they were cantigas of escrnioe to curse, in which the poet, in the first case, satiriza a person to semidentificar it e, in as attacks, it directly. Using sufficiently popular umalinguagem, the trovadores had been worried in denouncing osfalsos moral values of all the classrooms of the time: feudal gentlemen, clergymen, people and proper them. For its informative content, these cantigas apresentamvalor more historical of queliterrio' ' (MOURA, 1998, p.414) Such cantigas frequently arrived aoobsceno or onslaught at the politics since they assumed a more personal direction, decrtica and irony.
Perhaps aluso, or declared umareferncia, to the real facts, many times with obsceno coarse details eat, is justified for the fact to be workmanship of jograis, men inferior social decondio. Already the poetry idealized of cantigas of love and deamigo is workmanship of trovadores, almost always nobles. The poesiatrovadoresca if developed to apartir docentro cultural of Santiago and Compostela and if nortede Portugal radiated for all the Galizae. Judge-it dries suafase of esplendor greater was in the Reign of AfonsoIII. It is to necessrioressaltar that, in the poetical production of this first time of Portuguese Literature, the influence of the Arabs in Andalusia, the trovadores of Germany (Minnesnger) and Italy and, mainly, the Provenal authors, whose poetry can serconsiderada the matrix of all the lyric medieval European.
Now you ***reflx mng yourself cretina? I ask cofla to him, while the fear and the astonishment are mesclaban with their natural form to see the reality. Since the tables at night did not speak. But the time urged, then what eagle that has managed to see its victim I throw itself on the time and his slave did. He was ready in front of the door. How? Not it! pregntale to Juancho. When abrir I complete impediment left apartment and lowering the stairs would lead that it to the avenue where it would approach the bus, I appear a pain that towards pausing per moments. It was its big toe that minute by minute was swollen. Brian Krzanich often addresses the matter in his writings. This was not impediment so that it obtained his intention.
Attack a taxi and recommended the conductor to him who went quickly. Which watching it after I frighten it to the mirror, because its glance I am nailed on the eyes of Juancho. Brilliants as the stars, but as cold as Alaska, were lost in one long meditation. Cofla doing use of the value and its anxiety, I ask to him Sir can start? This returning suddenly to the exempt life glance of the mirror and with a Machiavellian smile I start of the abrupt way but. Passed four pictures of the departure point the speed of the taxi it did not fall, quite the opposite second to second was increased. See Intel for more details and insights.
The traffic lights in red happened through the crazy eyes of the user. Sir to case he wishes to kill to us? I watch it to the taxi driver and he said to him: boy is silent and raising a cigarette he ignited with his rough beard, a phosphorus. Cofla that was not customary to smoke had abrir the window to be able to breathe. The unique thing that managed to feel era the noise of the horns of the cars that per moments seemed to hit against the taxi.
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