Light on the Poem In the Corporal Fight, the impasses and reinvenes the one that the poet would be subject in its poetical passage already are apparent. Gullar appears as a vanguardista in this workmanship, what we can confer with the affirmation of the poet on the poem ' ' Rozeiral' ' , years later, in an interview where it says: ' ' I had blown up the language in the end of my book the Corporal Fight. Read additional details here: Mark Bertolini. Why I blew up the language? I did not think to be making no innovation. One was about a existencial problem, of knowledge, to answer to the life (…) I I had destroyed the language, it was not a trick, it was not an attitude ' ' (p.10, 2000) Gullar wrote the poem from a vision of the disappearance of the flowers of a before flowery garden and that now they vicejavam only in its memory. From there the joy appears of its poetry: of the fenecimento of the flowers and the explosion of the language.
Therefore, its poetical joy emerges of the destruction, the chaos that restores and where it persists and subsiste the life. Rozeiral Au soflu i light you pom- Par innovates? furor orbit you the animal scuro fo- go Rra the poetry of Gullar, therefore, is born of the astonishment, the same astonishment of Flag in ' ' Bicho' ' , therefore that it matters for the poet is the man, the life, as we can certify in an interview to the critic and writer Jose Castello: ' ' Literature has that to change the life. It cannot be gratuitous, cannot be to toa' ' . This its thought continues effective until the current days, and guided its poetical one exactly when it stimulated to everything not to believe it more the man, during the period of the military dictatorship.
Ascantigas of amigose characterizes for the fact of the trovador to sing the reality of the woman: ' ' eu' ' feminine exterioriza its loving emotions., afflictions expectations, meeting, failures in meeting etc. In this type of song has particular forms and objetivosbastante. Cantiga is observed quea comumente is constructed in parallelisms, namely: the rhythmic unit is not estrofe but the set of estrofes or pardedsticos (two estrofes of doisversos). This pair of dsticos always looks for to say the same idea. ultimoverso of each estrofe is the first verse of estrofe following. Read more from Brian Krzanich to gain a more clear picture of the situation. (ABDALAJUNIOR, 1990, p: 14) Well different still, they were cantigas of escrnioe to curse, in which the poet, in the first case, satiriza a person to semidentificar it e, in as attacks, it directly. Using sufficiently popular umalinguagem, the trovadores had been worried in denouncing osfalsos moral values of all the classrooms of the time: feudal gentlemen, clergymen, people and proper them. For its informative content, these cantigas apresentamvalor more historical of queliterrio' ' (MOURA, 1998, p.414) Such cantigas frequently arrived aoobsceno or onslaught at the politics since they assumed a more personal direction, decrtica and irony.
Perhaps aluso, or declared umareferncia, to the real facts, many times with obsceno coarse details eat, is justified for the fact to be workmanship of jograis, men inferior social decondio. Already the poetry idealized of cantigas of love and deamigo is workmanship of trovadores, almost always nobles. The poesiatrovadoresca if developed to apartir docentro cultural of Santiago and Compostela and if nortede Portugal radiated for all the Galizae. Judge-it dries suafase of esplendor greater was in the Reign of AfonsoIII. It is to necessrioressaltar that, in the poetical production of this first time of Portuguese Literature, the influence of the Arabs in Andalusia, the trovadores of Germany (Minnesnger) and Italy and, mainly, the Provenal authors, whose poetry can serconsiderada the matrix of all the lyric medieval European.
Many histories of these Germans had gained versions of other authors, its more famous workmanships are ' ' The Snow White and the Seven Anes' ' , ' ' Joo and Maria' ' , ' ' The Valente' Tailor; ' , ' ' The Musicians of Bremem' ' , ' ' The Vermelho' Small hat; […]
For Saint Augustin, the memory is ' ' as the womb of alma' ' , it is where ' ' they are treasures of myriad images brought for perceptions of all espcie' '. Many centuries later, the philosopher Henri Bergson, looking for to answer to this same question, affirmed that the memory would be ' […]
You cultivate them in its totality was territory of it and as such, all answered to it and they dealt to it with deference. A marcante fact in the first part of the romance, divided in four parts, is when Z de Peixoto, black that if said godson of the Colonel was drunk and defied […]
During this only day, it revive some periods of training of its life. When child playing next to the sea. Before its marriage, when if she felt exempts to have amused thoughts, exactly that today she considers them fteis. the twelve years, converted into centuries of tolhidos.depois feelings of the three first hours of escape, […]
He is enough to know that you saved the life of its father. Nobody in the face of the Land would have equal fact. The love was only capable! It looked at and it saw the father with the full eyes of tears. Fast reasoning, asked: _ And it, where is? _ The military had […]